Asian art of peace

Specifically, this initiative explores a few simple, but important, questions: amid rapid geopolitical changes, how can the Asia-Pacific region maintain the unprecedented security and prosperity it has enjoyed for the past several decades? And in the midst of regional uncertainty, what difference can regional political institutions make? This initiative is led by a high-level Policy Commission of senior policy practitioners with extensive experience in Asian security issues and regional institutions. The Policy Commission is tasked with exploring critical regional and global trends that challenge the existing regional security architecture in Asia, identifying potential pathways to reform that could help address institutional deficits; and making recommendations for next steps that could be taken by regional governments.
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The National Endowment for the Humanities

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Securing Peace in Asia | Asia Society

Enjoy art in a safe environment. Reserve your tickets. In addition to superior strategic and military ability, most elite samurai were expected to be versed in the cultural arts. Renowned for his elegant pursuits, he is a complete man combining arts [bun] and arms [bu]. A man of nobility, a descendant of the sixth grandson of the emperor Seiwa, he was a ruler endowed with awesome dignity and inspiring decorum…He built a splendid castle, which was majestic, beautiful and high…He discussed Chinese poetic styles and recited by heart the secret teachings of Japanese poetry… 1. The arts of peace and war, including archery and horsemanship, should be pursued singlemindedly. Simply put, literacy was required to rule: to draft documents, samurai needed to have at least minimum skill in calligraphy and knowledge of literary conventions.
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The contribution of art and culture in peace and reconciliation processes in Asia

A Noh theater mask, which changes expression depending on the angle at which the mask is viewed. This seventeenth-century mask depicts a shojo, a water sprite with an apelike body and human face. Under the rule of a samurai bureaucracy during the Tokugawa Shogunate — , Japan enjoyed more than two hundred fifty years of almost unbroken freedom from warfare, a record that no other major nation can rival. The exhibition sprang from an inquiry by Robert Wheeler, one of the three cocurators. A retired professor of engineering and applied physics and a collector of Japanese ceramics, Wheeler came to the Peabody seeking tea ceremony equipment to share with fellow students in a history of art seminar.
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The artist, who only has a given name, said his latest UN trip further fortified his belief that he should try his utmost to bring more harmony and peace to the world by dramatically promoting thangka paintings on as many international occasions as possible. Nyangbon's paintings stunned me during my visit to his studio in Beijing last year," said Theodore. The thangka pieces by Nyangbon above and Shaurjo below are among the works on show at the ongoing display in Beijing.
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